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Menu
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The Talon
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She-rocks or She-sucks: A Review of “She-Hulk: An Attorney at Law”
By
Nayeon Kim
October 27, 2022
Where reading and social media collide
By
Ishaani Dhanotra
, Staff Writer
October 10, 2022
“Fossora”: Björk digs into new sounds but stays rooted
By
Matthew Kim
October 7, 2022
Arctic Monkeys play with jazz in their new single
By
Ellie Ji
October 7, 2022
“Bullet Train”: blood, banter…boring?
By
Katharine Manson
October 7, 2022
Marvel: The past, present and future
By
Mira Sundar
,
Matthew Kim
,
Audrey Tsai
, and
Nayeon Kim
October 6, 2022
“The Rehearsal” is unsettling, exploitative and deeply hilarious
By
Nathaniel Joffe
September 12, 2022
Beyoncé: Renaissance Woman
By
Ishaani Dhanotra
, Staff Writer
September 12, 2022
“Extraordinary Attorney Woo” receives mixed reviews on autism representation
By
Naomi Ichiriu
and
Audrey Zhu
September 8, 2022
“The End is Nye,” but it doesn’t have to be
By
Audrey Tsai
, Arts & Culture Editor
September 7, 2022
“Never Have I Ever”… watched a show this good
By
Rebekah Park
and
Noor Khan
September 6, 2022
“Pink Venom” is as addictive as it sounds
By
Rebekah Park
, Staff Writer
September 3, 2022
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