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“Bullet Train”: blood, banter…boring?
By
Katharine Manson
October 7, 2022
Marvel: The past, present and future
By
Mira Sundar
,
Matthew Kim
,
Audrey Tsai
, and
Nayeon Kim
October 6, 2022
“The Rehearsal” is unsettling, exploitative and deeply hilarious
By
Nathaniel Joffe
September 12, 2022
Beyoncé: Renaissance Woman
By
Ishaani Dhanotra
, Staff Writer
September 12, 2022
“Extraordinary Attorney Woo” receives mixed reviews on autism representation
By
Naomi Ichiriu
and
Audrey Zhu
September 8, 2022
“The End is Nye,” but it doesn’t have to be
By
Audrey Tsai
, Arts & Culture Editor
September 7, 2022
“Never Have I Ever”… watched a show this good
By
Rebekah Park
and
Noor Khan
September 6, 2022
“Pink Venom” is as addictive as it sounds
By
Rebekah Park
, Staff Writer
September 3, 2022
“Thor: Love and Thunder” is not meant to be serious, and that’s okay
By
Katharine Manson
, Staff Writer
August 30, 2022
The Discovery Shop: Redefining fashion and creating more birthdays
By
Anika Sikka
August 11, 2022
The “Girls” downfall
By
Rebekah Park
, Staff Writer
August 8, 2022
“Harry’s House” is falling down
By
Ellie Ji
and
Audrey Tsai
May 24, 2022
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